Even when a satisfactory test proof is achieved, the printing of the final edition is unpredictable.
I have been practicing moku-hanga for almost 30 years now, yetI feel I am just beginning to expolre the potential of this medium." -Michah Schwaberow "Watercolor printed from carved wooden blocks is unlike any other color I know. Illustration: Permission Solo, Micah Schwaberow Ticket Informationįree after museum admission.
#MOKU HANGA WASHI FULL#
Seating is first come, first served and available on a drop-in basis, although we do recommend attending for the full hour-long talk.Neil Malone, Passing through 1-2, 2020, water-based mokuhanga, sumi stencil and wood engraving, 64 x 48.5 cm, unique state. Susan Rushforth, Passing Clouds VII, 2021, woodblock print using water-based pigments on handmade Japanese Kozo paper, 35 x 70 cm, unique state. Reproduced with permission of the artist.ĭeborah Metz, Sea Sponge Shapes with Eroded Rock Face Pattern, 2021, four-block mokuhanga, 40 x 57 cm, edition varied. Roslyn Kean, Winter Courtyard Shadows, 2021, multi-block mokuhanga with gold leaf, 76 x 56 cm, U/S. Reproduced with permission of the artist. Trish Yates, Forest Glow, 2021, woodblock, wax, sumi ink, double backed accordion style artist’s book, 11 x 15 x 26 cm, unique state. Reproduced with permission of the artist.Įma Shin, Origin #7, 2005, water-based woodblock print with sumi, nishinouchi washi, 55 x 40 cm, edition of 15.
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